When your article is too long and contains links which point to the paragraphs on the SAME page, you need a certain type of coding to save your time. For example, click on any of the following links-

   Jump to the poem DO NOT STAND AT MY GRAVE AND WEEP by Mary Elizabeth Frye
   Jump to the poem DEATH IS NOTHING AT ALL by Henry Scott-Holland
   Jump to the poem TOUCHED BY AN ANGEL by Maya Angelou
   Jump to the poem THE BROKEN HEART by William Barnes
   Jump to the poem ALL THE WORLD'S A STAGE by William Shakespeare

   You must have noticed that clicking on the link takes you to the respective poem. How to achieve it? It is very simple, much more simple than learning A B C D. Just three steps:


   a. Create an id for each coupling. Name it as you wish. e.g. let's say id1.
   
   b. Embed your Title in the following tag:
       
         <a href="#id1"> your title </a>
   
   c. Embed the poem/paragraph/description in the following tag:
         <p id="id1"> your text </p>
CREATING LINKS TO JUMP TO THE TEXT SECTIONS ON THE SAME PAGE IN HTML
   

   Thus, id1 will couple the title with the corresponding text. Thus, if you have to create 5 links, you will have to create 5 different ids like id1, id2, id3 .... and so on.

   

   DO NOT STAND AT MY GRAVE AND WEEP


 Do not stand at my grave and weep
I am not there; I do not sleep.
I am a thousand winds that blow,
I am the diamond glints on snow,
I am the sun on ripened grain,
I am the gentle autumn rain.
When you awaken in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry,
I am not there; I did not die.
   
      - by Mary Elizabeth Frye

 

   DEATH IS NOTHING AT ALL


Death is nothing at all.
It does not count.
I have only slipped away into the next room.
Nothing has happened.

Everything remains exactly as it was.
I am I, and you are you,
and the old life that we lived so fondly together is untouched, unchanged.
Whatever we were to each other, that we are still.

Call me by the old familiar name.
Speak of me in the easy way which you always used.
Put no difference into your tone.
Wear no forced air of solemnity or sorrow.

Laugh as we always laughed at the little jokes that we enjoyed together.
Play, smile, think of me, pray for me.
Let my name be ever the household word that it always was.
Let it be spoken without an effort, without the ghost of a shadow upon it.

Life means all that it ever meant.
It is the same as it ever was.
There is absolute and unbroken continuity.
What is this death but a negligible accident?

Why should I be out of mind because I am out of sight?
I am but waiting for you, for an interval,
somewhere very near,
just round the corner.

All is well.
Nothing is hurt; nothing is lost.
One brief moment and all will be as it was before.
How we shall laugh at the trouble of parting when we meet again!

       - by Henry Scott-Holland

   TOUCHED BY AN ANGEL


We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.

Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.

We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free.
      - by Maya Angelou
   

   THE BROKEN HEART


News o' grief had overteaken
Dark-eyed Fanny, now vorseaken;
There she zot, wi' breast a-heaven,
While vrom zide to zide, wi' grieven,
Vell her head, wi' tears a-creepen
Down her cheaks, in bitter weepen.
There wer still the ribbon-bow
She tied avore her hour ov woe,
An' there wer still the hans that tied it
Hangen white,
Or wringen tight,
In ceare that drowned all ceare bezide it.

When a man, wi' heartless slighten,
Mid become a maiden's blighten,
He mid cearelessly vorseake her,
But must answer to her Meaker;
He mid slight, wi' selfish blindness,
All her deeds o' loven-kindness,
God wull waigh 'em wi' the slighten
That mid be her love's requiten;
He do look on each deceiver,
He do know
What weight o' woe
Do break the heart ov ev'ry griever.
     - by William Barnes


   

   ALL THE WORLD'S A STAGE

All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
         - By William Shakespeare 

    The following article is a very good example of this. Its HTML has been designed such that if you click on a link, you will jump on the corresponding tutorial topic.

   TIPS , TRICKS AND HACKS: MAKE LIFE EASY WITH WINDOWS 10